Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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ATTAVANTE DEGLI ATTAVANTI
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ID: 04868

ATTAVANTE DEGLI ATTAVANTI Missal  fff
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ATTAVANTE DEGLI ATTAVANTI

Italian miniaturist, Florentine school (b. 1452, Castelfiorentino, d. ca. 1525, Firenze)  Related Paintings of ATTAVANTE DEGLI ATTAVANTI :. | St Jerome (mk08) | The Old Gates Yew Court Scalby near Scarborough | Wheatfield with sheaves and reapers | paintting the birds | Vase wtih Asters and Phlox (nn04) |
Related Artists:
Wijnand Nuyen
Dutch Painter, 1813-1839, Dutch painter and printmaker who specialised in landscapes, and was greatly influenced by the French Romantics. Born to a baker father who recognised his son's talent, Nuijen was apprenticed at age twelve to Andreas Schelfhout in Den Haag. Between 1825 and 1829 he studied at the Den Haag Tekenacademie, under Bartholomeus Johannes van Hove. In his short lifespan Nuijen turned into a prolific painter of rural and marine landscapes, spending much time on the Normandy and northern French coasts. Here he fell under the spell of painters who were working in France, such as Richard Parkes Bonington (1802-1828) and Eugene Isabey (1803-1886), both of whom painted picturesque villages, Normandy harbours and seascapes, with a spontaneity Nuijen admired and adopted. His preoccupation with ruins is typically Romantic and his use of colour and texture is reminiscent of the watercolours of Turner. The Felix Meritis society of Amsterdam awarded him a medal in 1829 for his watercolour of a forest landscape. On completion of his tuition he travelled to Belgium, France and Germany, at times with his painting companion Antonie Waldorp [1803-1866]. Nuijen became a member of the Koninklijke Akademie in Amsterdam in 1836, and just before his death he married the daughter of Schelfhout, his former tutor. Nuijen was unusual among Dutch painters of the period, his theatricality and liberal style contrasting with the near photographic depiction that was then the norm. King William II greatly admired Nuijen's work and bought the "Shipwreck" in 1843,
Friedrich Carl Groger
(14 October 1766, Plön - 9 November 1838, Hamburg) was a north-German portrait painter and lithographer. One of the most respected portraitists of his time in northern Germany, his works are to be found in several museums, including the Hamburger Kunsthalle, as well as in north German, Holstein and Danish private collections. Gröger was the son of a tailor in Plön, where he grew up in modest circumstances. His parents wanted him to become a tailor or wood turner and opposed his early artistic activities. He was largely self taught in painting, though he had some contact in Lebeck with Tischbein and in 1785 was in the city of Lebeck, where he met Heinrich Jacob Aldenrath, his first, loyalest and lifelong friend - the Grögersweg in Hamburg-Barmbek named after him links the Tischbeinstraße with the Aldenrathsweg. From 1789 he studied at Berlin's Akademie der Kenste. He and Aldenrath then went together to Hamburg, then on a joint study trip to Dresden and Paris, then back to Lebeck, where he worked until 1807. They then alternated between Hamburg, Copenhagen, Kiel and Lebeck, before finally settling in Hamburg in 1814. In 1792 Gröger was made an honorary member of the Gesellschaft zur Beförderung gemeinnetziger Tätigkeit‎ in Lebeck. Gröger developed from a miniature painter into a portrait painter, who towards the end of his life preferred three quarter bust portraits. Aldenrath took over the miniature painting side of their joint business. After lithography developed in northern Germany, they both worked in this medium individually as well as jointly under the business name Firma Gröger & Aldenrath.
Giuseppe Cades
(December 8, 1750 - December 8, 1799) was an Italian sculptor, painter, and engraver. Judgment of Solomon, Royal Academy of Arts, London.He was born in Rome. He studied under Mancini and Domenico Corvi, gaining a prize in 1765 with his picture of Tobias recovering his Sight. He visited Florence in 1766, and two years later executed an altar-piece for San Benedetto in Turin and in 1771 another for the Santi Apostoli. He also decorated the Palazzo Chigi with frescoes, landscapes, and scenes from Tasso. He has left two etchings, Christ blessing Little Children and The Death of Leonardo da Vinci. He died in Rome.






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